Samplitude is the DAW for audio professionals with the highest quality standards from recording to mastering. It combines the Hybrid Audio Engine for absolute sound neutrality with an object-based workflow and innovative editing features for recording , mixing, and mastering engineers.
Exclusive to Samplitude Suite: Dolby Atmos, ADM integration, and premium plugins from CrumplePop, 3D Reverb, Acon Digital Acoustica 7, and SOUND FORGE Pro 17.
The Hybrid Audio Engine delivers uncompromising audio quality thanks to its unique latency management. Short response times when calculating track effects enable live monitoring with minimal latency.
The integrated High Latency Engine ensures more effective system utilization and enables the integration of computationally intensive object, AUX, and surround functions.
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Sr. Product Manager, Content Creation - Dolby Laboratories, Inc.
Samplitude operates with absolute sound neutrality. Thanks to the consistent use of floating-point calculations, your sound always retains the desired character – even after intensive digital processing. The result: clarity, neutrality, preservation of transients, and spatiality.
Time-saving workflows and precise editing tools ensure an optimized production environment so you can concentrate fully on your project.
Inspiration awaits. Samplitude features versatile compositional aids and creative tools for unlimited musical possibilities. Discover extensive options for score creation, MIDI editing, and numerous virtual instruments.
Intuitive mixing, flexible routing, and new automation functions simplify even complex projects from small sessions to large productions with up to 999 tracks.
Samplitude delivers a comprehensive high-end mastering feature set. All included effects are optimized for mastering applications. Easily visualize peak, loudness, frequency response, and phase coherence with customizable measurement tools.
"I use Samplitude for all my tracking and mixing, and most of the writing too! I love its object-based processing and the cut features with automatic fades. I do a lot of cutting and slicing when I’m writing and recording. Samplitude allows me to be really creative with cutting something up and editing each slice separately. I also use it to check looping points and edit my masters."
Lead Vocalist, Pianist, and Guitarist of Bombay Bicycle Club
Bombay Bicycle Club
"In 2000, I changed my entire studio to a PC-based system with Nuendo 1. After struggling for almost two years on that software and hating the sound, someone suggested I try Samplitude. I did and was elated with its ease of use and layout workability. I’ve been with it ever since. I’ve tried every app on Mac and PC. Nothing can replace what Samplitude and Sequoia do for me. They are all I use and all I need. I can’t go back. Plain and simple."
Composer, Producer, Mixing and Mastering Engineer, Rock Star, and Guitarist
Taylor Swift, Van Halen, Great White, Boys Like Girls, Kenny Loggins
"As a studio designer, I've seen Samplitude and Sequoia used in the vast majority of the Mastering Studios I've designed, including by the likes of Sterling Sound NJ & Nashville, Brad Blackwood at Euphonics Masters, Heba Kadry, Josh Bonati, and Adam Gonsalves. That says a lot about the quality and reliability of the product. Our rooms reveal the slightest detail; only the most transparent DAW software and processes will do."
Northward Acoustics, Acoustic Engineer
Sterling Sound, Euphonic Masters, Bonati Mastering, Telegraph Mastering
Music Director, Composer, and Producer
Damian Taylor (The Prodigy, Evanescence, Björk) | FIFA 20 VOLTA (EA), Dead Rising 2, 3 & 4 (Capcom Vancouver) | Former Music Director at Capcom Vancouver | Musik for Netflix, Apple, Disney, Microsoft, McDonald's
"I’ve been using Samplitude and Sequoia for almost 20 years now. I can’t imagine working without them. They allow me to achieve flow more quickly than any other DAW. I really couldn’t function at this level without Comparisonics viewing, object-based editing, and its in-line spectral editing and solid cross-fade workflow. It helps bring my ideas to life."
Drummer, Drum-Recording Engineer, and Producer
Jeff Beck, Joe Lynn Turner (Deep Purple), Tom Bee (Sound of America Records), Rick Hale | Music for TV and Film
"I’ve really only touched the tip of the iceberg of what the program can do, but I just love everything about it. Samplitude is like a box of non-stop surprises. It’s so simple, yet it has everything you can dream of and looks great on screen. The restoration side of Samplitude is just crazy, so easy to clean up clicks and pops, hums, and noise. It’s a very speedy, economic way of doing things."
Producer
Kool Savas, Fler, Samy Deluxe, Kollegah, Farid Bang, Eko Fresh, Haftbefehl
"The difference between Samplitude and other DAWs is that you can work with waves better and more quickly. My workflow includes a lot of work with waves: setting the drums, cutting samples into the project, setting pitches, time stretching, cross-fading, and integrating VSTs. It’s all super quick and easy with Samplitude. The mixer in Samplitude is so awesome that you don’t even need an external mixer, especially with all the plugins that are available today."
Composer and Producer
Latin GRAMMY nominee | Micky Cruz, Garry King, Jimmy Shendo
"I love Samplitude! It is the most comprehensive DAW I have used to date. Not only is it well laid out with many powerful features, but it also has outstanding sound quality! The EQs, Compressors, and plugins all have a very rich and almost analogue nature. The bundled soft-synths and quality sounds are vast and diverse, yet simple to add in and use. Samplitude is loaded with goodies. I highly recommend it to anyone who is serious about the quality of their production and music."
Composer, Producer, Arranger, Mixing/Mastering Engineer, and Musician
Tulia, Formacja Niezywych Schabuff, Feel, Kasia Popowska, Agnieszka Adamczewska, The Underground Man | Rodzinka PL (TV Show)
"I almost do everything from drafting a composition and recording through MIDI to sound design and the final mixing to the mastering process. I've trusted Samplitude as my main tool for almost 18 years. It has an object-oriented engine, great onboard plugins and meters, classic intuitive GUI design ready to be customized, and mastering tools — all in one. I love this DAW."
Composer, Producer, Singer/Songwriter, Recording Engineer, Guitarist, and Professor of Music Technology at Mercer University
I am proud to use Samplitude, SOUND FORGE, and VEGAS Pro on my music and video productions. The quality of Samplitude is truly remarkable. Its power and flexibility are without compare and most importantly, it sounds great! I also want to thank the team for working to make their products accessible to blind music professionals."
Producer, Recording/Mixing/Mastering Engineer and Songwriter
"The object editor and the ability to burn directly from the application are huge. Also, the way Samplitude handles ISRC codes and other CD text is very important to my workflow. The overall vibe of editing is also fantastic. The application has just always been super snappy and responsive.”
As a user for over 20 years now, I've really watched the program grow. Seeing others copy features that were in Samplitude decades ago, makes me giggle. No other DAW lets me work as fast as Samplitude. The sound of the program is second to none."
Virtuoso Keyboardist, Composer, Sound Designer, and Arranger
Leonard Cohen, Salif Keita, Youssou N'Dour, Amadou & Mariam
"I chose Samplitude because some of my friends were using it, even in the classical music domain. They raved about its sound quality. Some others, in the more pop domain, were also crazy about what Samplitude could do, particularly its concept of objects, which was a new and very interesting way of working with sound."
Sound Designer, Composer, and Sound Engineer
BMW, DTM, Nike
"I am a post-production specialist and sound designer based in Berlin. A balance between speed and quality is essential in my field. It continues to impress me that Samplitude and Sequoia require so few resources to work on highly complex sound design. I love the way the object editor offers me a complete channel strip for every single audio snippet. Samplitude has completely revolutionized object-based work.The latest versions of Samplitude and Sequoia have added many new practical features that make my work even faster, clearer, and more user-friendly. A life without Samplitude/Sequoia is possible, but wouldn't make any sense."
Producer, Mixing, Mastering, Live Engineer, Video Maker, and Lead Singer/Guitarist in Cosmic Punch
Samplitude is my mainstay for doing professional mastering work and is my go-to software for nearly two decades. It is hands-down the best tool for the job, from the ability to visualize your audio to delivery."
Singer, Songwriter, Musician, and Film Composer
The Fighter, The Dilemma, Veronica Mars | Guitar Hero II (Activision)
"I'm new to Samplitude and in my short time working with it and going through the learning curves, I’m finding it to be incredibly amazing. Every option, every need, every plugin, every VST and VSTi, etc., is there. I’m recording live drums, live amped guitars, and mic’d piano. Its MIDI abilities are outstanding and simple to use. There are so many options when preparing for a new production. There are plenty of templates to choose from, and starting a new session without templates is as simple as it gets. Samplitude is humongous. It’s the giant of DAWs."
Producer, Composer, Video Maker, Photographer
Prinz Pi, Animus, Rap City Berlin II DVD, 1. FSV Mainz 05, Freizeit-Land Geiselwind
"When I started making music in 2000, I used to produce beats for rappers (or my own) and sometimes rock songs. In 2016, I shot a no-budget mountain tour documentary and came to Samplitude for the soundtrack production. Nowadays, with my orchestral productions, I’m always amazed at how fast and uncomplicated I can design my workflow when composing using internal and external plugins, and during the later mixing process with Stems. The overview of the DAW in the arrangement and the analysis tools is very pleasant."
